William Acree

William Acree

Associate Professor of Spanish, American Culture Studies (Affiliate) and Performing Arts (Affiliate)
Director of Graduate Studies in Hispanic Studies
Associate Director, Center for the Study of Race, Ethnicity & Equity
PhD, University of North Carolina, Chapel Hill
BA, Berry College
research interests:
  • Cultural History
  • Popular & Material Culture
  • Global Street Cultures
  • Public Space & State Formation
  • Afro-Latin America
  • Public Humanities

contact info:

office hours:

  • Tuesday: 12:30PM - 2:30 PM
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mailing address:

  • Washington University
    CB 1077
    One Brookings Drive
    St. Louis, MO 63130-4899

William Acree's scholarship and teaching explore the cultural history of Latin America since independence, concentrating on the enduring impacts of everyday experiences and the ways cultural goods and activities inflect public life, politics, and identities.

Acree’s work has engaged the cultural history of reading, delved into the extravagant, playful, and always surprising world of popular performance, studied the almost forgotten lives of Afro-Latin American writers and thinkers, and followed the emergence of modern popular culture in Latin America. His new project traces the deep history and pervasive influence of street cultures. Linking all these areas is Acree’s persistent interest in the quotidian and lasting impact of what are often ephemeral cultural activities and products. 

He began developing this line of research first in Everyday Reading: Print Culture and Collective Identity in the Río de la Plata (1780-1910) (Vanderbilt University Press; Argentine edition with Prometeo Editorial), which received the Southern Cone Studies Section 2013 Humanities Book Award of the Latin American Studies Association.

More recently, this focus on everyday life took him to the circus, the world of extravagant showmen & women, and the stages of popular theater. His new book—Staging Frontiers: The Making of Modern Popular Culture in Argentina & Uruguay (University of New Mexico Press Diálogos Series)—centers on social interactions at entertainment venues, the impacts performances had beyond their places of representation, and on the Creole drama phenomenon that shaped modern popular culture in Argentina & Uruguay.

 Just what was this “Creole” drama phenomenon? Beginning in the 1880s traveling performers put on short plays at circus shows (usually consisting of acrobatic tricks and music) in the countryside, small towns, and later port capitals. While drawing from previous strains of popular culture, these shows were distinct: they staged local content, where native-sons were the heroes, and the tensions between rural life and modernization played out on stage. Almost as soon as they began, these dramas became the main attraction of the circus and one of the most popular forms of entertainment in the late 1800s, resulting in the emergence of a theater-going public and a vibrant cultural marketplace.

 Acree is currently following stories of street life in Latin America. Thanks to a Collaborative Research Seed Grant from the Center for the Humanities at Washington University in St. Louis he has started developing the web portal Mapping Street Cultures in Modern Latin(x) America (link coming soon). From street food vendors to mass mobilizations, public spectacles to iconic figures, and from marvels of urban design to transportation systems for moving millions, in the streets you can find it all. That’s precisely what the Street Cultures project is about.

 William Acree received his BA from Berry College and his PhD from the University of North Carolina, Chapel Hill. His research has been supported by the National Endowment for the Humanities, a J. William Fulbright Scholar award, a Fulbright-Hays Doctoral Dissertation Research Fellowship, and grants from the Mellon and Tinker Foundations.

Collaborative Work

Selected Journal Articles

From our podcast:

Hold That Thought Podcast
Empire's End: Transnational Connections in the Hispanic World

Empire's End: Transnational Connections in the Hispanic World

The fall of the Spanish Empire: that period in the nineteenth century when it lost its colonies in Spanish America and the Philippines. How did it happen? What did the process of the "end of empire" look like? Empire's End considers the nation's imperial legacy beyond this period, all the way up to the present moment. In addition to scrutinizing the political, economic, and social implications of this "end," these chapters emphasize the cultural impact of this process through an analysis of a wide range of representations—literature, literary histories, periodical publications, scientific texts, national symbols, museums, architectural monuments, and tourist routes—that formed the basis of transnational connections and exchange. The book breaks new ground by addressing the ramifications of Spain's imperial project in relation to its former colonies, not only in Spanish America, but also in North Africa and the Philippines, thus generating new insights into the circuits of cultural exchange that link these four geographical areas that are rarely considered together. Empire's End showcases the work of scholars of literature, cultural studies, and history, centering on four interrelated issues crucial to understanding the end of the Spanish empire: the mappings of the Hispanic Atlantic, race, human rights, and the legacies of empire.

The Gaucho Juan Moreira: True Crime in Nineteenth-Century Argentina

The Gaucho Juan Moreira: True Crime in Nineteenth-Century Argentina

Argentinian writer Eduardo Gutiérrez (1851-1889) fashioned his seminal gauchesque novel from the prison records of the real Juan Moreira, a noble outlaw whose life and name became legendary in the Río de la Plata during the late 19th century.

 

John Chasteen's fast-moving, streamlined translation--the first ever into English--captures all of the sweeping romance and knife-wielding excitement of the original. William Acree's introduction and notes situate Juan Moreira in its literary and historical contexts. Numerous illustrations, a map of Moreira’s travels, a glossary of terms, and a select bibliography are all included.