Matt Erlin

Matt Erlin

Professor of German
PhD, University of California, Berkeley
research interests:
  • 18th and 19th-Century German Literature and Culture
  • Aesthetic Theory
  • Economics and Literature
  • Philosophies of History
  • Urban Culture
  • Digital Humanities

contact info:

office hours:

  • All being held via Zoom
    Thursday, 10:00 am to 12:00 pm
    by appointment
Get Directions

mailing address:

  • Washington University
    CB 1104
    One Brookings Drive
    St. Louis, MO 63130-4899

​Professor Erlin's research focuses on the literary, cultural, and intellectual history of late eighteenth- and early nineteenth-century Germany.

In addition to essays on topics ranging from Moses Mendelssohn's philosophy of history to the eighteenth-century novel, Matt Erlin has published two books: Berlin’s Forgotten Future: City, History, and Enlightenment In Eighteenth-Century Germany (2004) and Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815 (2014). He has also co-edited, together with Lynne Tatlock, two essay anthologies: German Culture in Nineteenth-Century America: Reception, Adaptation, Transformation appeared in 2005, and Distant Readings: Topologies of German Culture in the Long Nineteenth Century was published in 2014.

Erlin is a member of the steering committee of Washington University's Humanities Digital Workshop (HDW). Together with student and staff collaborators, he is currently working on several digital humanities projects that use computational tools to challenge traditional notions of genre and period as they apply to eighteenth- and nineteenth-century German literature. He is also a co-investigator on the multi-university partnership grant “Text Mining the Novel,” which aims to produce the first large-scale cross-cultural study of the novel according to quantitative methods.

Professor Erlin’s course offerings range widely but generally reflect his fascination with the interface between aesthetic theories and practices and the sociopolitical contexts in which they emerge. He also has a strong interest in pedagogy. In addition to general courses in German language and culture, he has taught seminars on German poetry, consumer culture and the eighteenth-century novel, Marxist cultural theory, cultural representations of nationalism, and the sociology of literature. He also teaches in the Interdisciplinary Project in the Humanities.

Fall 2020 Courses

Basic German: Core Course II (German 102D)

Continuation of German 100D or 101D. In preparation for more advanced academic study in German, this second course will further introduce students to fundamental German grammar, culture and history. It is comprised of a combination of situational lessons and tasks which will challenge their critical thinking abilities. Students in 102 will familiarize themselves with the language necessary to understand and give directions, apply for a job and speak with a doctor; students will also read more advanced content such as Grimm's fairy tales and a text by Franz Kafka. Prerequisite: German 100D, 101D, the equivalent, or placement by examination. Students who complete this course successfully should enter German 210D.

    Advanced Grammar and Style Lab (German 402)

    Take your German skills to the next level! This 1-unit lab is designed for advanced students seeking to master the finer points of German grammar and style through targeted exercises and discussion. Students will learn to construct sophisticated, elegant, and accurate sentences, with the goal of improving their effectiveness as writers and speakers of German. A rotating weekly focus will cover such topics as: complex sentence structures; advanced passive and subjunctive forms; idiomatic prepositional and verb phrases; and infinitive constructions. Prerequisite: German 302 or the equivalent.

      Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815

      Necessary Luxuries: Books, Literature, and the Culture of Consumption in Germany, 1770-1815

      The consumer revolution of the eighteenth century brought new and exotic commodities to Europe from abroad—coffee, tea, spices, and new textiles to name a few. Yet one of the most widely distributed luxury commodities in the period was not new at all, and was produced locally: the book. In Necessary Luxuries, Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury in the modern world.

      Building on recent work done in the fields of consumption studies as well as the New Economic Criticism, Erlin combines intellectual-historical chapters (on luxury as a concept, luxury editions, and concerns about addictive reading) with contextualized close readings of novels by Campe, Wieland, Moritz, Novalis, and Goethe. As he demonstrates, artists in this period were deeply concerned with their status as luxury producers. The rhetorical strategies they developed to justify their activities evolved in dialogue with more general discussions regarding new forms of discretionary consumption. By emphasizing the fragile legitimacy of the fine arts in the period, Necessary Luxuries offers a fresh perspective on the broader trajectory of German literature in the late eighteenth and early nineteenth century, recasting the entire period in terms of a dynamic unity, rather than simply as a series of literary trends and countertrends.