Department of Music Lecture: Alexandre Pierrepont, founder of The Bridge

Co-sponsored by the Center for the Humanities, International and Area Studies, and Jazz at Holmes.


The Bridge

Jazz – owing to its particular history – has always been an unmatched medium that allowed the sounds and music of different worlds to express themselves with passion and singularity, shaped by a musical art dedicated to collective invention and reinvention. Jazz was the original “world music,” long before this label became widespread.
 
In the recent years, after a century of stories and legends when every improviser, group, and scene grew ever more specific, many French and American musicians have expressed a renewed interest in experiencing the musical and sociomusical realities of their transatlantic counterparts, to really create mutual knowledge. But often with the regret that these adventures, swift to go “beyond expectations,” do not continue beyond a few concerts, a tour, or a recording, due to the lack of adequate structures.
 
The Bridge intends to form such a network for exchange, production, and diffusion, to build a transatlantic bridge that will be crossed on a regular basis by French and American musicians as part of collaborative projects. And, in addition to the scheduled projects, encourage meetings and relationships between creative musicians and perpetuate them. In other words: to give them the times and spaces to join and rejoin on both sides of the ocean and to deepen their exchanges.

This event is co-sponsored by the Center for the HumanitiesAmerican Culture Studies, Jazz at Holmes, and International and Area Studies.  

The Bridge #2.2 – experimental residencies have been made possible through the Jazz & New Music, a program of FACE Foundation, in partnership with the Cultural Services of the French Embassy in the United States.