Edward McPherson

Edward McPherson

Associate Professor of English
MFA, University of Minnesota, Twin Cities
research interests:
  • Non-fiction Writing
  • the Essay
  • Life Writing
  • Fiction Writing

contact info:

office hours:

  • On Sabbatical Fall 2019

mailing address:

  • Washington University
    CB 1122
    One Brookings Dr.
    St. Louis, MO 63130-4899

Edward McPherson is the award-winning author of three nonfiction books and numerous essays and short stories. His work has appeared in such outlets as the New York Times Magazine, the Paris Review, and the American Scholar.

Edward McPherson is the author of three nonfiction books: Buster Keaton: Tempest in a Flat Hat (Faber & Faber), The Backwash Squeeze and Other Improbable Feats (HarperCollins), and The History of the Future: American Essays (Coffee House Press). He has written for the New York Times Magazine, the Paris ReviewTin House, the American Scholar, the Gettysburg ReviewGulf CoastSalon, the Southern Review, the New York ObserverI.D.EsopusEpochEssay DailyCatapultTrue StoryLiterary HubGuernica, and Talk, among others. He has received a Pushcart Prize, the PEN Southwest Book Award in Nonfiction, the Gulf Coast Prize in Fiction, an Artist Fellowship from the Regional Arts Commission of St. Louis, a Minnesota State Arts Board grant, and the Gesell Award from the University of Minnesota, where he received his MFA. He is a contributing editor of The Common Reader. Before joining the faculty at Washington University in St. Louis, he was the Interim Education Director at the Loft Literary Center and taught creative writing at the University of Minnesota.

    Spring 2019 Courses

    Craft of Creative Nonfiction: On Place (Writing 5621)

    Joan Didion writes, "A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his image." This MFA craft class will focus on the notion of place in creative nonfiction. We will ask: what happens when the background moves to the foreground and begins to do the work of character, story, and theme? How does a writer navigate the current between a physical landscape and an emotional one? We'll look at strategies for locating our work in a specific landscape—evoking not just setting, but loading it with context, feeling, desire, and language. We will read writers such as Joan Didion, Teju Cole, Louise Erdrich, Natalia Ginzburg, James Baldwin, Rebecca Solnit, Jamaica Kincaid, Lillian Ross, Rachel Kaadzi Ghansah, Susan Orlean, Colson Whitehead, Valeria Luiselli, Svetlana Alexievich, Vladimir Nabokov, J.A. Baker, Joe Sacco, D.J. Waldie, T Clutch Fleischmann, Pico Iyer, and David Rakoff.

      Creative Nonfiction Writing 2: Literary Journalism (Writing 320)

      This is an intermediate workshop in the craft of writing “literary journalism”—a vague term, at best. Reportorial writing is as old as the hills, but for the purpose of this class, literary journalism will encompass documentary reporting that favors innovation over mass-production, creativity over predictability. We’re interested in how the story is told. While it has its own forms and tropes, literary journalism might borrow the tools of essay, memoir, fiction, and poetry. It also is a genre in great flux. Part of the goal of this class is to define what, exactly, we think literary journalism is and what it can/should do as a prose form.

        Selected Publications and Interviews

        The History of the Future: American EssaysCoffee House Press, 2017

        The Backwash Squeeze and Other Improbable Feats: A Newcomer's Journey into the World of Bridge, Harper Collins, 2007 (hardcover), 2008 (paperback)

        Buster Keaton: Tempest in a Flat Hat, UK: Faber and Faber, 2004 (hardcover), 2005 (paperback); reprint, US: Newmarket Press, 2005 (hardcover), 2007 (paperback)

        Pushcart Prize XL: Best of the Small Presses 2016, Pushcart Press, November 2015. Short story, “Telref,” included in the anthology.

        Love Stories for Turbulent Times: Loving Through the Apocalypse, Pushcart Press, February 2018. Short story, “Telref,” included in the anthology.

        Guest prose editor, The Pushcart Prize XLI: Best of the Small Presses 2017, Pushcart Press, November 2016.

        Interview in Essay Daily: “It Starts With a Curiosity” (September 18, 2017)

        Audio essay from the radio show “To the Best of Our Knowledge” (airdate: June 11, 2017)

        Interview on “St. Louis on the Air” (airdate: June 6, 2016)

        Interview on “The Leonard Lopate Show” (airdate: August 9, 2007)

        Interview on NPR show “All Things Considered” (airdate: July 9, 2005)