| current
courses and seminars | previous courses and seminars
| Current
Courses and Seminars (Fall 2009) |
| Previous
Courses and Seminars |
- Reading
Culture: Style, Rhetoric, Analysis (Spring 2009)
- German
Literature and the Modern Era (Spring 2009)
- Walter
Benjamin & Co (Fall 2008)
- Genre Cinema:
The Art of Variation (Fall 2008)
- Reverse
Angles: The Films on Michelangelo Antonioni, Jean-Luc Godard, and
Wim Wenders (Fall 2008)
- Advanced
German 302 (Spring 2008)
- German
Cinema in the 21st Century (Spring 2008)
- The
Prosthetic Eye: German Literature and Photography (Fall
2007)
- Modernisms:
Literature, Art, and the Politics of the New (Fall 2007)
- The Aesthetics of the Interface: Media and the Arts as Windows onto the World (Spring 2007)
- Tales of Travel:
Encounters with the Foreign in German Literature, Art, and Culture (Spring 2007)
- Paint It Black: Understanding American Film Noir (Spring 2007)
- On Beauty: Aesthetics and Its Discontents (Fall 2006)
- Aesthetic Negativity: Adorno, Benjamin, Kracauer and Marcuse on Literature and Art (Fall 2006)
- Artists
into Politicans: German Culture and the Poetics of Power (Spring 2006)
- German
Literature and the Modern Era (Spring 2006)
- Move
On: Modernism and the Aesthetics of Motion (Fall 2005)
- Advanced
German 302 (Fall 2005)
- Reverse
Angles: The Films on Michelangelo Antonioni, Jean-Luc Godard, and Wim
Wenders (Spring 2005)
- Advanced
German 302 (Spring 2005)
- European
Cinema Today:The Films of Krzysztof Kieslowski, Lars von Trier, and
Tom Tykwer
(MLA Program, University College, Spring 2005)
- M
(Fall 2004)
- 'Roll
over Beethoven': Music and German Literature from Romanticism to the
Present (Fall 2004)
- Circa
1959 (Fall 2003)
- Time,
Chance, Fate, History: The Films of Krzysztof Kieslowski, Lars von Trier,
and Tom Tykwer (Fall 2003)
- History
of German Cinema (Spring 2003)
- Advanced
German 302D (Spring 2003)
- Aesthetic
Politics: Art, Power, and Modern Culture (Fall 2002)
- History
of World Cinema (Fall 2002)
- Benjamin
Remastered: From Mechancial Reproduction to the Digital Divide (Spring
2002)
- Paint
It Black: Understanding Film Noir (MLA Program / U College, Spring
2002)
- Adanced
German 302D (Spring 2002)
- History
of World Cinema (Fall 2001)
- German
210 (Fall 2001)
- The
Dark Mirror: Film Noir and the Exile of German Filmmakers in Hollywood
(Spring 2001)
- Germany
Today: Politics, Culture, and Nationhood (Spring 2001)
- Film
/ Nation / History (Fall 2000)
- Advanced
German 302D (Fall 2000)
- Between
Hitler and Hollywood: German Cinema in the Course of Time (Spring 2000)
- Germany
Today: Politics, Culture, and Nationhood (Spring 1998)
- Advanced
German: Language, Identity, Power (GER 302D, Spring 1998)
- Richard
Wagner: Myth, Opera, and Politics (Fall 1997)
- Weimar
Culture: Laboratory of Modernity (Spring 1997)
- Culture
Industry: The Politics of Distraction (Fall 1996)
- Visual
Culture, Spectatorship, and Virtual Reality: From Romanticism to Cyberpunk
(Spring 1996)
- Progress,
Power, and Popular Culture: Constructing Traditions in Modernity (Fall
1995)
- Genius
and Nation: The Cult of Art and the Invention of Germany in the Nineteenth
Century (Spring 1995)
- Remapping
the Western: Transformations of a Hollywood
Genre in German Film (Fall 1994)
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