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Fall 2003
Travel, Landscape, and American Culture (Matt Balthazar, Jennifer Beasley, and Jane Saffitz). Science and Technology on the Lewis and Clark Expedition of 1804-1806 (Chris Allen, Kristin Irmiter, Chris Kuppler, Chris Liu, Andrew Shields)
The Women of America (Gwen Bugger, Jaclyn Ehrhardt, Michelle Hall, Jessica Monks). Diplomacy in the West (Megan Balzer, Joe Gombach, Nick Huizenga, and Elizabeth Reardon)
The Law and
Politics of the Louisiana Territory
(Dennis Bobak, Dan Grobman, Nick Hentschel,
Abby Morgan, and Merce'de Savala)
     
  • Some General Points on the Electronic Exhibit
  • The most important work you will produce is your electronic project. You should look on the electronic exhibit beyond the confines of this class. You should look on it as a way to explore subjects of interest. By the same token, this offers a chance to consider new or unfamiliar topics. The project should always follow your own path of inquiry. Each group should see itself as a scholarly team, engaging primary material and creating an exhibit that reflects the distinct questions, interests, and discoveries of its members.

    Each group will produce an electronic exhibit on the World Wide Web. The core of these exhibits will be a written analysis, and as a result the same issues of organization and argument that apply in traditional printed papers will apply to the Web projects. In addition, these exhibits should bring together images as well as scanned textual material, engaging visual objects as well as archiving primary sources. The Web project is also designed to introduce students to the possibilities--as well as the headaches--of group work. Each team will need to learn about delegating responsibilities, sharing work, and organizing time. The specific goals of these projects will of course vary according to their topics. Each group should meet regularly with the instructors to discuss what approach to take and what sources to use.

    Each group will receive individual training. As a result, training will not begin until October, by which point students will have formed their groups and identified their topics. These groups will also received specialized orientation to the resources at Washington University's various libraries.
     

  • What makes for a good exhibit?
  • Content, content, content!  Those should be the three words you keep in mind while creating this project.  Unfortunately, most of the material on the World Wide Web will not provide a good model, since the analytical quality of most Websites remains poor.  This project should instead combine the aesthetic qualities of a good museum exhibit with the analytical qualities of a good research paper.

    First and foremost, your project should provide a thoughtful, integrated approach to a particular subject.  As with other papers you write, the project as a whole and each of its elements must contain a cohesive thesis that serves as a point of reference for the rest of the project.  It is not sufficient to create a series of Webpages, each on a different subject.  Indeed, the most challenging part for many of you will be to coordinate your efforts in order to make certain that your readers will know how the different pieces relate to one another.

    The evaluation of your project will fall into three parts: organization and argument, style, and Web design.  Of these three, Web design is the least important, in part because many of you are novices with creating Web material, but in large part because how your project looks is infinitely less important than what it says.  You should work by the same organizational and stylistic rules that would govern any paper.  The evaluation of your project will consider such familiar subjects as a cogent thesis, proper verb tense, active voice, etc.

    Then there's the visual quality of the project.  You should avoid unnecessarily elaborate Web design whenever possible.  Use images sparingly.  Obviously, there's nothing wrong with having a flashy image at the start of the project or at the beginning of each page.  Beyond that, however, you should only use images or other materials when they reinforce your key themes.  Likewise, you should not simply insert images without any explanation.  Instead, interrogate the images, discussing them openly and explaining how they reinforce your key themes.
     

  • Organization
  • This project does not need a particularly elaborate organization.  Examine the way other students have prepared their projects for useful models.  One thing you will notice is considerable similarity.  A standard approach that many students have taken with great success is the following:
     

    Introduction
    Part A
    Part B
    Part C
    Conclusion
    Sources
    Documents

    This table represents not just a list of the individual sections, but also the way you should think about them in relationship to one another.  The Introduction is of crucial importance, since it establishes the key themes of the entire project.  Parts A, B, and C constitute the individual sections of each member of the group.  No one section is more important than the other, and as a result they occupy the same level of the table.  The list of sources needs to be a full bibliography.  Finally, the page of documents should provide links to key texts or images that appear in the project.
     

  • A Note on Sources
  • The foundation of your project should be primary sources.  These sources can come from on-line or from published collections.  In either case, you must provide proper citations for all of your sources.  In addition, you need to approach on-line sources with scrutiny bordering on suspicion.  Do not use sources of dubious provenance.  Likewise, do not use--let alone reproduce--sources of questionable legality.