Home
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Teaching
Faculty 2008-09
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Miriam Bailin
Associate Professor, English; Comparative Literature; Women and Gender Studies
Ph.D., University of California, Berkeley
Research
interests:
Victorian literature and culture; the novel; history of the book
Recent Publication:
Book
"The Sickroom in Victorian Fiction: The Art of Being Ill. Cambridge: Cambridge UP, 1994; paperback ed. 2007.
mlbailin@wustl.edu
(314) 935-7132
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| Lionel
Cuillé
Lecturer,
Romance Languages and Literatures (French); Comparative
Literature; Interdisciplinary Program in
the Humanities
Agrégé de Lettres Modernes/Doctorate ENS
Lettres et Sciences Humaines (Lyon)
Research interests:
19th- and 20th-century European literature, especially
poetry; avant-garde movements; literary theory; French
cinema
Recent Publications:
Articles
"La qualité différentielle: Ponge et le darwinisme ["The Differential Quality:
Ponge and Darwinism"]. In Ponge, résolument.
Lyon: ENS, 2004. 233-45. Study of Ponge's critique of
social Darwinism and his articulation of the existentialist
tensions between freedom and determinism.
"Le palladium anti-nietzschéen: Ponge lecteur
de Fautrier" ["The Anti-Nietzschean Palladium:
Ponge, Reader of Fautrier"]. In Ponge, résolument. Lyon: ENS, 2004. 179-91. How Ponge, interpreting
Fautrier's paintings of disfigured "hostages,"
subverts Nietzsche's Birth of Tragedy to establish
the ethical imperative of art.
“Recueil de circonstances ou manifeste du recueillement: Dix-neuf poèmes élastiques de
Blaise Cendrars" ["Collection of Circumstances
or Manifesto of Self-Consciousness: Blaise Cendrars's Nineteen Elastic Poems"]. Méthode! No. 2 (2002). 195-202. A study of how, through
poetry, Cendrars assembled a community of exiled avant-gardist
artists and rethought the ideology of the Italian Futurists.
lcuille@wustl.edu
(314) 935-9499
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| Robert
Hegel
Liselotte Dieckmann Professor of Comparative Literature
Professor, Asian
and Near Eastern Languages and Literatures (Chinese)
Ph.D., Columbia University
Research interests:
Narrative forms and conventions in late imperial China
(1500-1900); book culture, practices of reading and
writing; legal writing; conceptions of right and wrong
implicit in narrative texts of all forms; translation
of crime reports from China's last dynasty
Recent Publications:
Books
Ed. and trans. True Crimes in Eighteenth-Century China: Twenty Case Histories. Seattle: U of Washington P. (forthcoming, 2009). Narratives of capital crimes as presented to the emperor for approval: their investigation, testimony by all concerned, and the process of determining the appropriate punishments.
Ed., with Katherine Carlitz. Writing and Law in Late Imperial China: Crime, Conflict, and Judgment. Seattle: U of Washington P, 2007. Collection of essays that explore
conventions of legal writing; the reflection of law
and legal practice in fiction; and the representation
of changing administrative concerns in the crafting
of legislation—all in response to varying reading
communities, primarily in Qing (1644-1911) China.
Reading Illustrated Fiction in Late Imperial China. Stanford: Stanford UP, 1998. A study of the printing and circulation of
fictional texts and the images that appeared in their
illustrations, concentrating on the 16th, 17th, and
18th centuries.
Articles
"Picturing
the Monkey King: Illustrations and Readings of the 1641 Novel Xiyou bu.” In The Art of the Book in China. London: London University School of Oriental and African Studies, 2006 (Percival David Foundation Colloquies 23). 175-91. Study of llustrations
in the novel's first edition that comment ironically
on the narrative, suggesting an unusually close relationship
between the illustrator and the text.
"Dreaming the Past: Memory and Continuity Beyond the Ming Fall.” In Trauma and Transcendence in Early Qing Literature. Ed. Wilt Idema, Wai-yee Li, and Ellen Widmer. Cambridge: Harvard U Asia Studies Center, 2005. 345-71. How imaginative reconstructions of the tragic end a
previous golden age serve as metaphors for the trauma
of dynastic change in fiction and plays by a circle
of 17th-century Chinese writers.
http://artsci.wustl.edu/~rhegel/
rhegel@wustl.edu
(314) 935-7476
Click here for complete CV
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Robert Henke
Professor, Comparative Literature; Performing
Arts (Drama)
Chair, Performing Arts Department
Ph.D., University
of California, Berkeley
Research interests:
English and Italian Renaissance drama; orality
and literacy; festival and ritual
Recent Publications:
Books
Ed., with Eric Nicholson. Transnational and Transcultural Exchange in Early Modern Drama: Theater Crossing Borders. Aldershot, UK: Ashgate P (forthcoming, 2008). A collection of transnational and comparative essays on early modern drama.
Performance and Literature in the Commedia dell’Arte. Cambridge UP, 2002. Examines the interplay between oral and literary cultures in the commedia dell'arte.
Articles
“Representations of Poverty in the Commedia dell’Arte.” Theatre Survey (forthcoming, 2008).
“Comparing Poverty: The Fictions of the Poor in Ruzante and Shakespeare.” Comparative Drama 41:2 (2007): 193-217.
http://www.artsci.wustl.edu/~pad/faculty/henke.html
rhenke@wustl.edu
(314) 935-9336
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| Emma
Kafalenos
Senior
Lecturer, Comparative Literature
Ph.D., Washington University
Research
interests:
Narrative theory; postmodernism; comparative arts; poetics
Recent Publications:
Books
Narrative Causalities. Columbus: Ohio
State UP, 2006. Explores the effect of context on interpretations
of consequences and causes, and argues that narratives,
by determining the contexts in which events are perceived,
shape readers' interpretations of causality, whether
the narratives being read are nonfiction or fiction.
Ed. Narrative
9:2 (May 2001). Spec. issue on contemporary narratology.
Articles
"Effects
of Sequence, Embedding, and Ekphrasis in Poe's 'The
Oval Portrait.'" A Companion to Narrative Theory.
Ed. James Phelan and Peter Rabinowitz. Blackwell Companions
to Literature and Culture. Oxford: Blackwell, 2005.
253-68. On the possibilities for communication enabled
by ekphrasis: the re-representation in words of a prior
visual artwork.
"The Power of Double
Coding to Represent New Forms of Representation: The
Truman Show, Dorian Gray, 'Blow-Up,' and
Whistler's Caprice in Purple and Gold."
Poetics Today 24:1 (May 2003): 1-33. Analysis
of the representational possibilities of artworks contained
within artworks in several media.
"Reading Visual Art,
Making–and Forgetting–Fabulas."
Narrative 9:2, Spec. Issue: Contemporary
Narratology (May 2001): 138-45. How we read photographs
to make stories.
emkafale@wustl.edu
(314) 935-7613
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Fatemeh
Keshavarz
Professor, Asian and Near Eastern Languages and Literatures
(Persian); Jewish, Islamic, and Near Eastern
Studies; Comparative Literature
Chair, Dept. of Asian and Near Eastern Languages and
Literatures
Ph.D., London University
Research interests:
Persian poetry; theories of translation; Islamic mysticism;
women's studies
Recent Publications:
Books
Jasmine and Stars: Reading More Than Lolita in Tehran (Islamic Civilization and Muslim Networks). Chapel Hill: U of North Carolina P, 2007. A blend of personal memoir and literary analysis intended to humanize Iran, a country masked from Western readership by political conflic, that critiques "New Orientalist narratives" which present a lopsided and exaggerated view of Eastern cultures, a trend best exemplified in the national best-seller Reading Lolita in Tehran by Azar Nafisi.
Recite in the Name of the Red Rose: Poetics of Sacred
Making in Twentieth-Century Iran. Columbia: U of
South Carolina P, 2006. A study of reconfigurations
of the concept of the sacred as reflected in modern
Persian poetry.
Reading Mystical Lyric:
The Case of Jalal aI-Din Rumi. Columbia: U of South
Carolina P, 1998. A study of mystical experience and
its poetic expressions in Rumi’s lyric poetry.
http://artsci.wustl.edu/~fatemeh
fatemeh@wustl.edu
(314) 935-5156
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Lutz
Koepnick
Professor,
Germanic Languages and Literatures; Film and Media Studies;
Comparative Literature
Ph.D., Stanford University
Research interests:
German literature and film; visual culture; media history
and theory; critical theory and aesthetics
Recent Publications:
Books
Co-ed., with Sabine Eckmann. Caught by Politics:
Hitler Exiles and American Visual Culture. New
York: Palgrave, 2007. A study of the aesthetics
of German and European exile visual artists, designers,
and directors in the US, such as Max Beckmann, George
Grosz, Hans Richter, Peter Lorre, and Edgar Ulmer, and
the response of American artists Walter Quirt, Jackson
Pollock, and Robert Motherwell to the Europeanization
of American culture.
Co-ed., with Stephan Schindler. The Cosmopolitan Screen: German Cinema and the Global
Imaginary, 1945 to the Present. Ann Arbor: U of
Michigan P, 2007. A look at German cinema’s
enthusiasm for and anxiety about the blurring of cultural
boundaries, World War II to the present.
Framing Attention:
Windows on Modern German Culture. Baltimore: Johns
Hopkins UP, 2006. Explores different concepts
of windows—both literal and figurative—in
German visual culture, 19th century through the present.
A new interpretation of evolving ways of seeing that
characterize and define modernity.
The Dark Mirror: German
Cinema Between Hitler and Hollywood. Berkeley:
U of California P, 2002. An investigation of how Nazi
filmmakers appropriated Hollywood conventions and how
German film exiles in the States reworked German cultural
material to gain a place in the Hollywood studio system.
Walter Benjamin and
the Aesthetics of Power. Lincoln: U of Nebraska
P, 1999. A study of Benjamin's seminal writings on the
relationship between mass culture and fascism, including
his influential critique of aesthetic politics; the
changing role of popular culture in the 20th century;
and the extension of Nazi aesthetics into contemporary
culture.
http://artsci.wustl.edu/~lkoep/
koepnick@wustl.edu
(314) 935-4350
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William Layher
Assistant Professor,
Germanic Languages and Literatures; Comparative Literature
Ph.D., Harvard University
Research interests:
Medieval German literature; heroic poetry; mythology; medieval Scandinavian literature; German and Scandinavian drama
Recent Publications:
Book
Co-ed., with Gerhild Sholz Williams. Consuming News: Newspapers and Print Culture in Early Modern Europe, 1500 – 1800. Amsterdam: Rodopi (forthcoming 2009).
Studies of media revolutions (print, early newspapers) and cultural response (an interest in “news” and information networks) in the Early Modern period.
Articles
"The Big Splash: Endrhyme and Innovation in Medieval Scandinavian Poetics.” Scandinavian Studies. (forthcoming). Examines the use and function of end-rhymed verse in Old Norse and Old Swedish literature.
“Elephants in the Garden: On Wild Beasts and Wlwalla in the Old Swedish Dikten om kung Albrecht.” Lärdomber oc skämptan [Didacticism and Entertainment]: Medieval Swedish Literature Reconsidered. Ed. Massimilliano Bampi and Fulvio Ferrari. Uppsala: Svenska Fornskrift-Sällskapet (forthcoming). A study of beast allegory and political propaganda in 14th-century Sweden.
“Caught Between Worlds: Gendering the Maiden Warrior in Old Norse.” Women and Medieval Epic. Ed. Sara Poor and Jana Schulman. New York: Palgrave, 2007. 267-97.
Based on saga texts, a look at the father/daughter dynamic in the medieval Norse warrrior-woman archetype.
“Siegfried the Giant: Heroic Representation and the Amplified Body in the Heldenbuch of 1479.” Kulturen des Manuskriptzeitalters [Culture in the Manuscript Era]. Ed. Art Groos and Hans-Jochen Schiewer. Göttingen: V & R unipress, 2004. 181-215.
A literary/historical study of late-medieval attitudes about the body and bones of the hero Siegfried.
wlayher@wustl.edu
(314) 935-8620
Click here for complete CV
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Tabea Linhard
Assistant Professor,
Romance Languages and Literatures (Spanish); Comparative Literature
Ph.D., Duke University
Research interests:
Contemporary Spanish and Mexican Literature and Cultural Studies; Mediterranean Studies; Jewish Diaspora; Immigration in Europe; Spanish Film
Recent Publications:
Book
Fearless Women in the Mexican Revolution and the Spanish Civil War. U of Missouri P, 2005. Studies the intersections among gender, revolution and culture in early twentieth century Mexico and Spain.
Articles
"In the Precarious Exilic Realm: Edward Said’s Andalusian Journeys.” Humanism and the Global Hybrid: Reconstellating Edward Said and Jacques Derrida. Ed. Assimina Karavanta and Nina Morgan. Cambridge Scholars P (forthcoming, 2009). Examines the use of al-Andalus to situate Said’s thinking in the Spanish-speaking world.
“The Maps of Nostalgia: Juana Salabert’s Velódromo de invierno.” Revista Hispánica Moderna. 60.1 (June 2007): 72-93. Treats Jewish exile in Spain during World War II.
“Between Hospitality and Hostility: Immigration in Contemporary Spanish Culture.” MLN. 122.2 (March 2007): 400-22. An analysis of immigration from a postcolonial perspective.
tlinhard@artsci.wustl.edu
(314) 935-8224
Click here for complete CV |
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Erin McGlothlin
Associate Professor,
Germanic Languages and Literatures; Comparative Literature
Ph.D., University of Virginia
Research interests:
Recent Publications:
Books
Articles
mcglothlin@wustl.edu
(314) 935-4288 |
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Stamos
Metzidakis
Professor, Romance Languages
and Literatures (French); Comparative Literature
Assistant Chair, Dept. of Romance Languages and Literatures
Ph.D., Columbia University
Research interests:
French-American colonial history and culture; literary
theory; prose poetry; visual aspects of poetry; 19th-
and 20th-century literature, primarily poetry
Recent publications:
Book
Ed. Prose Poetry. Spec. issue Esprit Créateur. 36.4 (Winter, 1999). Introduction as well as comparative study of how Baudelaire and Magritte both take aspects of ordinary life and make them poetic or artistic, while at the same time taking the poetic and artistic and making them seem ordinary.
Articles
“A Neoformalist Approach to 19th-Century French Poetry.” Romance Studies (forthcoming, Spring, 2008). A reassessment of the role of form in cultural studies of French poetry.
“Isidore Ducasse, précurseur d’Odilon Redon: L’hypotypose en noir et blanc” ["Isadore Ducasse, precursor of Odilon Redon: The Hypotyposis in Black and White"]. Orbis Litterarum. 63.2 (April, 2008), 133-51. A comparative reading of the use of strong visual imagery, through the rhetorical figure hypotyposis, in the scandalous symbolist poetry of Lautréamont and the visionary symbolist painting of Redon.
“Des lyres au délire: Rimbaud dépassant Verlaine” [“From Lyres to Delirium: Rimbaud Surpassing Verlaine”]. Rimbaud vivant. 46 (June, 2007): 69-79. A study of how Rimbaud takes to extremes the more conventional lyric poetry of his close friend and collaborator, Verlaine.
“Poétique de la ligne: Autour des colonnes sculptées” ["Poetics of the Line: Beating Around Sculpted Columns"]. Sculpture et Poésie: 1789-1848. [Sculpture and Poetry: 1789-1848]. Ed. Suzanne Nash and Cassandra Hamrick. Spec. issue, Nineteenth-Century French Studies. 35:1 (Fall, 2006): 206-25. How both modern poetry and sculpture associate vertical figures (found in public monuments like towers and obelisks) with ideals like unchanging peace, harmony and beauty, while associating the horizontal axis of such figures with disorder, movement, and history itself.
smetz@wustl.edu
(314) 935-4972
Click here for complete CV
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Harriet Stone
Chair, Committee on Comparative
Literature
Professor, Romance Languages and Literatures (French);
Comparative Literature
Ph.D., Brown University
Research interests:
17th-century French studies; text and image; science
and aesthetics in early modern Europe; literature and
ethics
Recent Publications:
Books
Tables of Knowledge: Descartes in Vermeer's
Studio. Ithaca: Cornell UP, 2006. Examines how
Dutch art, with its emphasis on the realistic depiction
of objects, informs science's efforts to know the world
in the 17th century.
Co-Trans., with Gerhild
Scholz Williams. On the Inconstancy of Witches.
By Pierre de Lancre. 1612. Tempe: Arizona Center of
Medieval and Renaissance Studies, 2006.
Ed. Racine. Spec. issue Esprit Créateur.(Summer, 1998).
hastone@wustl.edu
(314) 935-4473/5142
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Former-and-Future Teaching
Faculty
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Nancy E. Berg
Associate Professor, Asian
and Near Eastern Languages and Literatures (Hebrew);
Jewish, Islamic, and Near Eastern Studies; Comparative
Literature
Ph.D., University of Pennsylvania
Research
interests:
Modern Hebrew & Arabic literatures; immigration
literature; women's literature; genre literature
Recent Publication:
Book
More and More Equal: The Literary Works of Sami Michael. Lanham, MD: Lexington Books, 2005. Examines the works
of the most significant Israeli writer to switch from
Arabic to Hebrew, tracing his rise to literary prominence
against the context of a changing society.
nberg@wustl.edu
(314) 935-4451
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Henry
Biggs
Associate Dean
and Director of Undergraduate Research
Ph.D., University
of California, Los Angeles
Research Interests:
Metrical phonology; linguistics; hip-hop; 16th-century
French poetry
hbiggs@wustl.edu
(314) 935-6519
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J.
Andrew Brown
Assistant Professor, Romance Languages and Literatures
(Spanish)
Ph.D., University of Virginia
Research interests:
20th- and 21st-century Latin American narrative; literature
and science; cyborg and posthuman theory; Argentine
cinema.
Recent Publications:
Books
Ed. TecnoEscritura: Literatura y tecnología
en América Latina [TechnoWriting: Literature
and Technology in Latin America]. Spec. Issue Revista Iberoamericana 73.220 (July-Sept, 2007).
Recent scholarship from the US, Latin America, and Europe
concerning the intersections of technology and literary
narrative, film, internet poetry, and graphic novels.
Test Tube Envy: Science and Power in Argentine Narrative.
Lewisburg, PA: Bucknell UP, 2005. Examines the cultural
relationships between popular science and narrative
in Argentina from the 1820s to the present, including
works by Domingo Sarmiento, Roberto Arlt, Jorge Luis
Borges, and Julio Cortázar.
Articles
“Hacking the Past: Edmundo Paz Soldán’s El delirio de Turing and Carlos Gamerro’s Las Islas.” Arizona Journal of Hispanic Cultural Studies 10 (December, 2006): 115-29. An examination of hacker culture and ideology as it relates to the Latin American postdictatorship.
“Life Signs: Ricardo Piglia's Cyborgs.” Science, Literature, and Film in the Hispanic World. Ed. Jerry Hoeg and Kevin Larsen. New York: Palgrave, 2006. 87-107. A study of how Piglia employs posthuman imagery and theory to represent the trauma of the Dirty War in Argentina.
“Ripped Stitches: Consumerism, Technology, and Posthuman Identity in Rafael Courtoisie's Tajos.” Journal of Latin American Cultural Studies 15.2 (August, 2006): 127-42. An exploration of the novel's connections between 1990s television culture and technological identity in Latin America.
http://artsci.wustl.edu/~abrown/
abrown@wustl.edu
(314) 935-8222
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Letty
Chen
Associate Professor, Asian and Near Eastern Languages
and Literatures (Chinese)
Ph.D., Columbia University
Research interests:
Globalization; postcolonialism; postmodernism; identity
politics; travel theory; mimesis; narratology
Recent Publication:
Book
Writing Chinese: Shaping Chinese Cultural
Identity (New York: Palgrave Macmillan, 2006).
A study of the current debate over the concept of identity
as explored in literature from China, Hong Kong, Taiwan,
and by Chinese writers living abroad. Addresses how
narratives use textual imitation and appropriation to
synthesize diverse cultural identities.
llchen@wustl.edu
(314) 935-5147
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Matt
Erlin
Associate Professor, Germanic Languages and Literatures
Ph.D., University
of California, Berkeley
Research interests:
18th- and 19th-century German studies; literature and
economics; the novel; aesthetic theory; urban culture
Recent Publications:
Books
Co-ed., with Lynne Tatlock. German Culture in Nineteenth-Century America: Reception,
Adaptation, Transformation. Columbia, SC: Camden
House, 2005. Essay collection addressing key figures and moments in the adaptation of German culture in nineteenth-century America.
Berlin’s Forgotten Future: City, History, and
Enlightenment in Eighteenth-Century Germany. Chapel
Hill: U of North Carolina P, 2004. Examines
the link between the urban experience and new conceptions
of history in the German Enlightenment.
merlin@wustl.edu
(314) 935-4005
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Stephanie
Kirk
Assistant
Professor, Romance Languages and Literatures (Spanish); Comparative Literature
Ph.D., New York University
Research
Interests:
Colonial Latin American literature and culture; early
modern women's studies; gender studies
Recent Publication:
Book
Convent Life in Colonial Mexico: A Tale of Two Communities. Gainesville, FL: UP of Florida, 2007.
A study of how women in 17th- and 18th-century Mexican
convents defied male control. Uses literary texts and
historical documents, with a particular focus on Sor
Juana Inés de la Cruz.
skirk@wustl.edu
(314) 935-8221
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Paul
Michael Lützeler
Rosa May Distinguished University Professor in the Humanities
Professor,
Germanic Languages and Literatures; Comparative Literature
Ph.D., Indiana
University
Research
interests:
German and European Romanticism; 20th-century German
and European literature (especially exile literature,
and contemporary German literature); cultural theories,
including postmodernism, multiculturalism, postcolonialism,
globalization, and the European identity
Recent Publications (partial list):
Books
Kontinentalisierung:
Das Europa der Schriftsteller [Continentalization:
The Writers´ Europe]. Bielefeld: Aisthesis,
2007. A collection of case studies that treat concepts
of modern Europe in each literary period since European
Romanticism, including essays on Goethe and Coleridge,
Romain Rolland, C. F. Meyer, Thomas Mann, and Milan
Kundera.
Postmoderne und postkoloniale deutschsprachige
Literatur [Postmodern and Postcolonial Germanophone
Literature]. Bielefeld: Aisthesis, 2005. An
examination of the interconnectedness of postmodernism,
multiculturalism, and postcolonialism and their impact
on contemporary German and Austrian literature.
Die Entropie des Menschen. Studien zum Werk Hermann
Brochs [Human Entropy: Studies of the Works of Hermann
Broch]. Würzburg:
Königshausen & Neumann, 2000. An interpretation
of the modernist aesthetics of Hermann Broch as revealed
through his novels and his correspondence with friends
such as Hannah Arendt.
Klio oder Kalliope?
Literatur und Geschichte [Clio or Calliope? Literature
and History]. Berlin: Erich Schmidt, 1997. A study of three phases of European literature
in which links to history are prevalent: Romanticism,
exile literature, and contemporary works.
http://www.artsci.wustl.edu/~jahrbuch/Jahrbuch.htm
jahrbuch@artsci.wustl.edu
(314) 935-4784
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Stephan
K. Schindler
Professor,
Germanic Languages and Literatures; Comparative Literature;
Film and Media Studies
Chair, Dept. of Germanic Languages and Literatures
Ph.D., University
of California, Irvine
Research Interests:
18th- and 20th-century German literature; film studies;
gender studies; psychoanalysis; Holocaust studies; international affairs
Recent Publications:
Books
Co-ed.,
with Lutz Koepnick. The Cosmopolitan Screen: German
Cinema and the Global Imaginary, 1945 to the Present.
Ann Arbor: U of Michigan P, 2007. A look
at German cinema’s enthusiasm for and anxiety
about the blurring of cultural boundaries sinceWorld
War II..
Co-ed., with Paul Michael
Lützeler. Gegenwartsliteratur: Ein germanistisches
Jahrbuch [Contemporary Literature: A German
Studies Yearbook]. Tübingen: Stauffenburg
Verlag, 2002-07. Annual international yearbook on contemporary
German literature.
Eingebildete Koerper:
Phantasierte Sexualitaet in der Goethezeiz [Imagined
Bodies: Fantasized Sexuality in the Age of Goethe].
Tübingen: Stauffenburg Verlag, 2001. An investigation
into the history of modern sexuality with a focus on
sexual fantasies.
Articles
"Displaced
Images: The Holocaust in German Film. " The
Cosmopolitan Screen. 2007. 192-203. An analysis of the
cinematographic and narrative challenges post-war German
cinema has faced in representing the Holocaust.
"Die blutende Brust
der Amazone: Bedrohliche weibliche Sexualität in Penthesilea" ["The Amazon's Bloody
Breast: Threatening Female Sexuality in Penthesilea"]. Kleists Erzählungen und Dramen: Neue Studieni [Kleist's Short Stories and Plays: New Studies].
Ed. Paul Michael Lützeler and David Pan. Würzburg:
Königshausen & Neumann, 2001). 191-202. A study
of literary and philosophical ideas of female sexuality
prevalent near the beginning of the 19th century.
http://artsci.wustl.edu/%7Egerman/faculty.php?facID=17
skschind@wustl.edu
(314) 935-5136
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Gerhild
Scholz Williams
Barbara Schaps Thomas & David M. Thomas Professor
of Humanities in Arts & Sciences;
Associate Vice Chancellor for Academic Affairs
Professor, Germanic Languages and Literatures; Comparative
Literature
Ph.D., University of Washington
Research interests:
Early modern French and German daemonologies;
late Middle Ages; Renaissance/Reformation; literature
and history; translation
Recent Publications:
Books
Ways
of Knowing in Early Modern Germany: Johannes Praetorius
as a Witness to his Time. Aldershot, UK: Ashgate,
2006. An investigation of how Praetorius, an assiduous
reporter of early modern Europe, offered accounts
of political events, scientific discoveries, occult
phenomena, and religious beliefs that challeged many
authoritative interpretations of his day.
Ed. On the Inconstancy
of Witches. By Pierre de Lancre. 1612. Trans.
Harriet Stone and Gerhild Scholz Williams. Tempe:
Arizona Center of Medieval and Renaissance Studies,
2006. Comprehensive English edition of de Lancre's
report of his experiences in France's Basque region
as a member of a royal commission empowered to cleanse
the area of witches.
Co-ed., with Chad Gunnoe, Jr. Paracelsian Moments:
Science, Medicine, and Astrology in Early Modern Europe.
Kirksville, MO: Truman State UP, 2003. Collection
of essays exploring the intellectual, social, and
cultural context within which physician Theophrastus
Paracelsus wrote.
Co-author, with Alexander
Schwarz. Existentielle Vergeblichkeit: Verträge
in Melusine, Faust, und Eulenspiegel [The Futility
of Existence: Contracts in Melusine, Faust, and Eulenspiegel.] Berlin: Schmidt,
2003. An exploration of pacts and contracts in three
popular early modern prose texts through a focus on
narrative structure.
http://artsci.wustl.edu/~gwilliam/gswweb.htm
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Executive Committee Members 2008-09
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Nancy E. Berg
Associate Professor, Asian
and Near Eastern Languages and Literatures (Hebrew);
Jewish, Islamic, and Near Eastern Studies; Comparative
Literature
Robert
Hegel
Liselotte Dieckmann Professor of Comparative Literature
Professor, Asian
and Near Eastern Languages and Literatures (Chinese)
Robert Henke
Associate Professor, Comparative Literature; Performing
Arts (Drama)
Chair, Performing Arts Department
Emma
Kafalenos
Senior
Lecturer, Comparative Literature
Stephanie Kirk
Assistant Professor, Romance Languages and Literatures (Spanish); Comparative Literature
Paul
Michael Lützeler
Rosa May Distinguished University Professor in the Humanities
Professor,
Germanic Languages and Literatures; Comparative Literature
Stamos
Metzidakis
Professor, Romance Languages
and Literatures (French); Comparative Literature
Assistant Chair, Dept. of Romance Languages and Literatures
Wolfram Schmidgen
Associate Professor, Department of English; Comparative Literature
http://artsci.wustl.edu/~english/faculty/profile/?faculty=9
Harriet Stone
Chair, Committee on Comparative
Literature
Professor, Romance Languages and Literatures (French);
Comparative Literature
Gerhild
Scholz Williams
Barbara Schaps Thomas & David M. Thomas Professor
of Humanities in Arts & Sciences;
Associate Vice Chancellor for Academic Affairs
Professor, Germanic Languages and Literatures; Comparative
Literature
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Affiliated
Faculty
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Prof. Robert Lamberton, Chair, Classics
Prof. Marvin Marcus, Associate Professor, Asian and Near Eastern Languages and Literatures (Japanese)
Prof. Angela Miller, Professor, Art History and Archaeology
Prof Dolores Pesce, Chair, Music
Prof. Henry Schvey, Professor, Performing Arts
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Emeritae
Faculty
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| Milica
Banjanin
Professor, Russian; Comparative Literature
Ph.D., Washington University
Research interests:
20th-century Russian literature; Russian modernism;
interactions between the fine arts and literature
Selected publications:
Articles
""Where Are The Street Lights Running
To?': The Poetics of Street Lights in Russian Modernism."
New Zealand Slavonic Journal 38 (2004-2005):
71-91. A study of the relations between light, art,
and technology in Russian Modernism.
"Listening: The Poetics
of Street Sounds in Russian Modernism." Slavic
Almanach 10.1 (2004): 63-80. An examination of
the sounds of St. Petersburg streets at the beginning
of 20th century, as reflected in Russian Modernist poetry
and fiction.
"Echoes of the Commedia dell'arte in the Works of Blok: Transformations of an Image." Australian Slavonic and East European Studies. 4.1-2 (1990): 1-20. Elucidates Blok's use of the commedia dell'arte and the related iamges of masks, masquerade balls, and puppet-shows [balagan].
"Nature and the City in the Works of Elena Guro." Slavic and East European Journal. 30.2 (Summer 1986): 230-247. An exploration of Guro's poetic universe through the two central themes of her writing--nature and the city--as they appear in her unpublished, archival materials, and in her published work.
banjanin@wustl.edu |
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Naomi
Lebowitz
Former Hortense
and Tobias Lewin Professor in the Humanities
English and Comparative Literature
Ph.D., Washington University
Research Interests:
19th- and
20th-century Scandinavian, English, and American fiction
and literary philosophy, in particular, the works of:
Henry James, William James, Dickens, Kierkegaard, Ibsen,
and Italo Svevo.
Selected Publications:
Books
The Philosophy
of Literary Amateurism. Columbia, MO: U of Missouri
P, 1994. Return of great masters of fiction to the chosen
amateurism of their literary philosophies.
Ibsen and the Great
World. Baton Rouge: Louisiana State UP, 1990. How
Ibsen's irony opens up a path to a spiritual dimension
mankind is not yet able to inhabit.
Kierkegaard: A Life
of Allegory. Baton Rouge: Louisiana State UP, 1985.
Analysis of Kierkegaard's use of literary devices to
break through speculative philosophy and over-ambitious
ethical claims.
Italo Svevo. New
Brunswick: Rutgers UP, 1978. Study of Svevo's anti-hero
Zeno in light of Dostoievsky’s belief that fiction
is the lie that saves the truth.
Article
“The
World’s Pontoppidan and his 'Lykke Per' [Lucky
Per]." Scandinavian Studies (Spring, 2006).
The collision the fairy tale and social realism in Nobel
prize winner Pontoppidan's novel as influenced by Kierkegaard,
Ibsen, and Nietzsche.
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